Admittedly, I enjoy the attention I receive when I sing a song well. And, why not? Sometimes, though, that need for attention can lead some karaoke singers into a singing rut of sorts. Let me explain. For example, I like to sing “Moondance” by Van Morrison and do a good job with it. For my efforts, I get a lot of positive reinforcement from the other bar patrons. So, why not receive that same reinforcement the following week? Well, that sometimes leads to singing the same songs week after week. And that, my friends, translates into a singing rut. I had been in one of these ruts, so decided to try some new songs.
I sat down with my iTunes and came up with two new songs to debut on Thursday night at Pinto and Hobbs, conveniently located at the corner of State and Dove in the Center Square neighborhood of the capital of New York, Albany. The first song I tried was “Smiling Faces Sometimes” by the Undisputed Truth, one of my all-time favorite soul classics. The other was a song I thought would be fun for the crowd – “Kung Fu Fighting” by Carl Douglas. Here are some of the lyrics:
Everybody was kung-fu fighting
Those cats were fast as lightning
In fact it was a little bit frightening
But they fought with expert timing
They were funky China men from funky Chinatown
They were chopping them up and they were chopping them down
It's an ancient Chinese art and everybody knew their part
From a feint into a slip, and kicking from the hip
Although it’s not exactly the most politically-correct song, who cares? Everyone loved it. As you all know, many great songs have been written in the English language. It would stand to reason that the greatest songs would be the greatest at karaoke as well. However, that is not always the case. Some great songs are boring at karaoke because they are too slow or too depressing. Others are so hard to sing, that when someone attempts one, the song gets ruined for all time. It’s not unusual to hear people saying something like – I am never going to be able to listen to that song again. Some songs, however, even though they are not all-time classics, or cannot be considered great, are still lots of fun at karaoke. “Kung Fu Fighting” is definitely one of them. Unfortunately, a lot of people think Meatloaf’s “Paradise by the Dashboard Light” is also one. It is way too long and usually butchered by the people singing it.
For those of you who are interested, here is a link to a Wikipedia article about karaoke. http://en.wikipedia.org/wiki/Karaoke
As with many endeavors in life, there is karaoke etiquette at most places. As much as you might want to sing all night long to the exclusion of other singers, you have to be patient and wait your turn. No matter how bad a singer a person is, everyone deserves a chance to get up with the microphone. Of course, the order of singers is controlled by the DJ. Those who want to sing submit a slip to the DJ which lists their name and what song they want to sing. The DJ organizes the slips and usually tries to be as democratic about it as possible. It sounds simple – call the singers up in the order in which they submit the slip. Well, it’s not always so easy if you want to have a nice flow and be fair to all the singers. Some people put in a lot of slips, so you have to spread their songs out over the course of the night. Some people don’t arrive as soon as karaoke starts, so the DJ may want to bump up a newcomer in favor of someone who has already sung a few songs. The goal is to maximize crowd participation. The greater the number of people who get to sing translates into more happy people. That means the bar owner is happy because people buy more drinks, which in turn, is good for the DJ, because if the owner is happy, then that reflects positively on the DJ and his skills. A good DJ will also mess around with the karaoke addicts. Knowing that they won’t leave until they get to sing their song, the DJ will sometimes make them sweat for a while in favor of other singers who might be prone to leaving. Then there is always the no-brainer. If four young and pretty girls come in and want to sing “I Touch Myself” by the Divinyls [I don’t want anybody else, When I think about you I touch myself, Ooh I don’t want anybody else oh no, oh no, oh no] or “Pour Some Sugar On Me” by Def Leppard [Pour some sugar on me, Ooh, in the name of love, Pour some sugar on me, C'mon fire me up, Pour your sugar on me, Oh, I can't get enough. I'm hot, sticky sweet from my head to my feet yeah], get them up there as soon as possible.
The other night was night quite one of those moments, but I have to give Greg the DJ some credit for the song he put on after “Kung Fu Fighting.” In our politically-correct world, it was a gamble on his part. Considering I was verbally assaulted for singing a tribute to Anna Nicole Smith when she died, who knew what would happen with Greg’s next choice.
I have to back up for a paragraph. One of the things I love about karaoke is the crowd. All different kinds of people come in to sing. Karaoke has a cathartic aspect to it, and since everyone from any kind of walk of life needs an outlet now and then, karaoke attracts all kinds of people. One of my favorite patrons at Pinto and Hobbs is a Japanese student named Honda. Yes, Honda. He is named after a car company. I suppose that’s not too different from an American being named Ford. Honda is about 25 years old and loves to sing karaoke. Always has a smile on his face, too. Although he doesn’t come every week, he has come often enough so that I have been able to develop a friendship with him. He speaks broken English, doesn’t have a good voice, and for me, epitomizes what karaoke is all about. Sometimes, when I am up there singing, I point him out and announce that his grandfather invented karaoke. Who knows, maybe he did? Anyway, Honda loves the attention and plays the part well.
So, on the night I decided to sing an “Asian” song, Honda was in the house. That fact, of course, was not lost on Greg the DJ. As I was putting the final touches on “Kung Fu Fighting” and about to hand the microphone to Greg, I saw a sparkle in his eye. As Greg motioned to me to hang onto the microphone, I sensed what was coming. First of all, it’s highly unusual for someone to sing two songs in a row unless it’s their birthday or some other special occasion. I guess this would qualify as a special occasion. The stars were aligned correctly. Honda was at Pinto and Hobbs, I had just sung “Kung Fu Fighting,” and I, the notorious Sid Stein, who is willing to say anything over the PA, was still on stage. I guessed which song was coming. I’ll give you a hint. It was a minor hit which reached #36 on the Billboard charts in 1980 by a group called the Vapors. Yes, friends, Greg put on “Turning Japanese.”
Here are some of the lyrics:
No sex, no drugs, no wine, no women
No fun, no sin, no you, no wonder it's dark
Everyone around me is a total stranger
Everyone avoids me like a cyclone ranger
That's why I'm turning Japanese
I think I'm turning Japanese
I really think so
Turning Japanese
I think I'm turning Japanese
I really think so
I'm turning Japanese
I think I'm turning Japanese
I really think so
Turning Japanese
I think I'm turning Japanese
I really think so
In case you want to learn more about the history of the song, try: http://en.wikipedia.org/wiki/Turning_Japanese
For those of you who don’t remember it, it’s a fast-paced, fun song. As the music started, some of the people in the crowd let out a few soft cheers of acknowledgement. I immediately enlisted a pretty young Polish girl wearing shutter shades to sing with me. Shutter shades have been popularized by Kanye West. She was sitting right by the stage and looked perfect for the part. She even had a cute Polish accent. Don’t ask me what she was doing there, but I didn’t mind.
As the song progressed, there was really only one thing for me to do. Get Honda up on the stage with me. I could flirt with the Polish girl later. I motioned to Honda and he reluctantly joined me on the stage. I took the microphone from the Polish fashionista and handed it to Honda. When I first saw Honda’s reluctance, I felt a little bad and wondered if I had done the wrong thing, even though the Karaoke Gods seemed to be demanding it. After all, I like Honda. He’s a great kid who always has a smile. The last thing I wanted to do was to hurt his feelings.
Well, my friends, Honda’s feelings did not get hurt. He came up on stage and sang along with me. He even adlibbed a part. While I was singing “I think I’m turning Japanese,” Honda shouted out: “I’m already Japanese! How can I turn Japanese?” Toward the end of the song, I faced Honda, bowed and said: “Arigato gozaimashita.” That’s thank you, very much. Of course, Honda bowed to me and the bowing went back and forth for a good thirty seconds. Loud applause. Exit stage right.